Unique concert

Vivaldi - Piazzolla

Concert

Cinemusic

Daniil Kramer (piano)

"Both Classic and Jazz"

Moscow Pipers Orchestra

Rock Classic

Music of the Russian Cinema

HIT SOUNDTRACKS FOR ALL TIMES

Planet "Obraztsova"

Piano Classics

Alexander Malofeev

Eva Gevorgian

La Stravaganza

Orpheus Radio and the Senator's Club of the Federation Council of the Federal Assembly of Russia present the program "Notes for my son" prepared whithin the framework of the project "Music at the Top".

Vladimir Presnyakov (senior) is a hereditary musician, Merited Artist of Russia, laureate of international festivals and competitions, composer and arranger and an outstanding saxophonist. Vladimir wrote hundreds of songs performed by Russian pop stars, such as Alla Pugacheva, Lev Leshchenko, Alexei Glyzin, Larisa Dolina, Mikhail Boyarsky, Alexander Gradsky, Vladimir Kuzmin, Igor Nikolaev, Vladimir Presnyakov Jr., Alexander Barykin, Kristina Orbakaite, the "Samotsvety" ensemble and others.

The program "Notes for my son" was prepared on the basis of the disc of the Ray Records publishing company. To date, Presnyakov Sr. has created many wonderful compositions, diverse in their style: gentle and lyrical music, jazz melodies, as well as beautiful music for the piano. All his work is permeated with feelings, warmth and love!

This evening, popular jazz musicians share the stage with Vladimir Presnyakov. The outstanding jazz pianist Yevgeny Borets, one of the leading composers and arrangers of the Russian jazz scene, plays the piano. The double bass part is performed by Sergei Khutas - musician, composer and arranger. And the author of lyrical piano music Vladimir Presnyakov competes with well-known jazz musicians on the saxophone.

Host - Kirill Radtsig.

Notes For My Son

Торжественная церемония награждения, Гала-концерт лауреатов девятого международного конкурса юных вокалистов Елены Образцовой.

Гала-концерт лауреатов

Концерт в рамках Конкурса юных вокалистов Елены Образцовой приурочен к годовщине дня рождения выдающейся русской певици Елены Васильевны Образцовой.

Елеена Васиильевна Образцова родилась 7 июля 1939 года в Ленинграде, в семье Василия Алексеевича Образцова (1905—1989) и Натальи Ивановны Образцовой (1913—1994), советская и российская оперная певица (меццо-сопрано), актриса, педагог, профессор Московской консерватории. Солистка Большого театра (1964—2009).
Герой Социалистического Труда (1990), народная артистка СССР (1976), лауреат Ленинской премии (1976) и Государственной премии РСФСР им. М. И. Глинки (1973).
Елена Образцова - одна из выдающихся певиц второй половины XX века. Она выступала на всех ведущих оперных сценах мира: Метрополитен-опера, Ла Скала, Венская опера, Королевский театр Ковент-Гарден, Баварская опера, Берлинская опера, Опера Гарнье, Мариинский театр.

Планета "Образцова"

Orpheus Radio presents a unique concert "Vivaldi - Piazzola", which took place at the Russian National Museum of Music.

Sergei Pospelov and soloists of The Moscow Chamber Orchestra played instruments from the State Collection of Unique Musical Instruments!

The sound of stringed instruments of the great masters of the past (Guarneri, Amati, Stradivari) in a concert always arouses heightened interest of the public. And if these musical instruments are from the State Collection in the hands of musicians of the world-famous Moscow Chamber Orchestra conducted by Sergei Pospelov - this makes it a real event in Moscow cultural life!

The concert was held as part of the concert series "Sounding Collection" on the instruments of the State Collection of Unique Musical Instruments and was timed to the 110th anniversary of The Museum of Music.

The program of the evening featured works by A. Vivaldi and A. Piazzolla.

The artistic director of The Moscow Chamber Orchestra is Sergei Pospelov. A brilliant virtuoso violinist, winner of five first prizes at prestigious international competitions in Europe and Russia (among them – the D. Oistrakh Competition in Moscow, Concertino Praga in the Czech Republic, A. Curci competitions in Naples and A. Yampolsky in Moscow), Sergey Pospelov plays the violin of the famous French master of the XIX century J.- B. Vuillaume from the State Collection of Unique Instruments of Russia...

The State Collection of Unique Musical Instruments is the most significant state collection of stringed bowed instruments in the world, created over five centuries by the greatest masters of Russia, Europe and other parts of the world. The uniqueness of the collection lies in the most complete collection of all the leading Italian violin schools – Brescia, Cremona, Milan, Venice, Florence, Rome and Naples. The core of the collection consists of masterpieces of violin craftsmanship by Antonio Stradivari, Joseph Guarneri, Nicolo Amati, Antonio and Hieronymus Amati, Giovanni Batista Guadanini, Nicolo Galliano, Francesco Ruggeri, Santo Serafina, Carlo Bergonzi, Jean Baptiste Vuillaume and other outstanding violin masters. The collection of unique musical instruments was created in 1919 on the basis of several instrumental private collections collected in Russia in the late XIX – early XX century. On November 19, 1919, the first meeting of the supervisory committee took place, and on the same day, at a meeting of the Bolshoi Theater Orchestra, the creation of the collection was announced. This day can be considered the official date of creation of The State Collection.

PART 1

1.I. Dunayevsky Overture from the movie "The Children of Captain Grant" Dir. Vladimir Vainshtok

2. I. Dunaevsky “Lullaby (Moon Waltz) from the movie “Circus” Dir. G. Alexandrov. (performed by V. Chaika)

3. V. Solovyov-Sedoy Song "It's Time to Move On" film "Heavenly Slug" Dir. Tymoshenko
(performed by V. Vinterkind)

4. N. Sidelnikov String psalm from the film "Cherry Pool" Dir. L. Golovnya

5. E. Krylatov Song "Alder Catkin" from the movie "And it's all about him" Dir. I. Shatrov (performed by N. Tonkikh)

6. M. Ziv Epilogue from the film "The Ballad of a Soldier" Dir. G. Chukhrai

7. N. Bogoslovsky Song "Dark Night" from the movie "Two Soldiers" Dir. L. Lukov (performed by V. Vinterkind)

8. V. Ovchinnikov "Moonlight Night" from the film "War and Peace" Dir. S. Bondarchuk

9. T. Khrennikov Song “Why is the Heart So Disturbed?” from the film "True Friends" Directed by M. Kalatozov (performed by D. Vertunov)

10. A. Gradsky "Waltz of the Count of Monte Cristo" from the movie "The Prisoner of the If Castle" Dir. G. Yungvald-Khilkevich

11. E. Ptichkin Song "Daisies Hid" from the movie "My Street" Dir. L. Maryagin (performed by A. Buturlina)

12. G. Sviridov Waltz from the film "Snowstorm" Dir. V. Basov

PART 2

13. A. Petrov Overture from the film "The Taming of the Fire" dir. D. Khrabrovitsky

14. M. Minkov Song “If There Was No War” from the film “Order: Seaze Fire!” Dir. Ivanchuk (performed by A. Buturlina)

15. M. Meerovich Waltz from the movie "Telegram" Dir. R. Bykov

16. I. Schwartz Romance "Love and Separation" from the movie "We Were Not Married in the Church" Dir. B. Tokarev (performed by A. Buturlina)

17. B. Tchaikovsky "Introduction" from the movie "The Marriage of Balzaminov" Dir. K. Voinov

18. V. Levashev Song "Take Your Overcoat, Go Home" from the film "From Dawn Till Dawn" Dir. G. Egiazarov. (performed by Gladkov and A. Gladkova)

19. A. Flyarkovsky "School Waltz" from the movie "Joke" Dir. V. Menshov 

20. L. Afanasiev Song “I Look Into the Blue Lakes” from the film “Shadows Disappear at Noon” Dir. Uskov, Krasnopolsky (performed by A. Buturlina)


21. Y. Frenkel Song "Russian Field" from the movie "New Adventures of the Elusive" Dir. E. Keosayan (performed by D. Vertunov)

22. D. Shostakovich Romance from the movie "The Gadfly" Dir. A. Feinzimmer

23. V. Lebedev "Song of Love" from the movie "Midshipmen, Forward!" Dir. S. Druzhinina (performed by A. Buturlina and V. Vinterkind)

24. M. Tariverdiev Waltz from the film “The Irony of Fate, or Enjoy Your Bath!” Dir. E. Ryazanov

White Boat Foundation for the support of creative children and youth held a series of requiem concerts "Childhood and War", dedicated to the anniversary of the beginning of the Great Patriotic War. 

Participants

United choir of the festival "White Boat", consisting of 120 children from 26 regions of Russia (children from large, single-parent, low-income families, orphans, disabled people)
Tamara Gverdtsiteli
Dmitry Kharatyan
Ekaterina Guseva
Lyubov Petrova and others. 

The host of the concert - Dmitry Guberniev. 

Programme

"Holy Love"
L. Petrova, Milena Makova
"Drums"
"Holy War"
all the participants
"Ten-Year-Old Man" (poem)
Timur Fazliev
"It Was Destiny"
Ira Tsvetkova, N.Didenko, Svyat Uglov
"Remember It, Guys"
Nurdaulet Nursaliev, Vanya Shigin
"Alyosha"
L. Petrova
"Signal Horners"
Mitya Komarov, Oleg Didenko Jr. 
"The battalions are coming"
D. Guberniev and PRO Quartet
"Song about military women pilots"
Janelle Okeyeva, Dilnaz Maizhegisheva, Raikhan Oktaubaeva, Ayaulym Mausimova
"Leningrad boys"
Matvey Lysyakov, Misha Lysyakov
"Evening on the raid"
PRO Quartet, Grisha Mitrofanov
"Muscovites" 
D. Kharatyan
"Goodbye, Boys"
E. Guseva
"Last Stand"
Ustyugov, M. Moskalik (guitar)
"Army" (the poem by E.Yevtushenko) 
Ustyugov
"Song about Pioneer Heroes"
Chorus, L. Shilovsky (drums)
"Nation, Don't Forget Your Children"
Vika Zheludkova
"Alive", the poem "Song goes to war"
Yusiv Eyvazov, Gleb Kotin (poem)
"From the heroes of old times"
O. Didenko, Danil Nazarov
"Soldier, You Survived"
T. Gverdtsiteli, PRO Quartet
"Song of Mother Planet"
V. Shigin, N. Didenko

Childhood and War

Among the abundance and variety of concertos created in the 20th century, the violin concertos by Sibelius, Prokofiev and Barber are perhaps the most loved by both the general public and the performers themselves. Emotional, majestic and captivating Jean Sibelius Concerto is refined, elegant and romantic, where the lyrics mean no less than the grotesque. Alongside with the First Violin Concerto by Sergei Prokofiev and the extraordinarily sensual Violin Concerto by Samuel Barber it is performed by a brilliant musician Sergei Pospelov often called ''God's Fiddler'', accompanied by the Dubna Symphony Orchestra. 

Conductor is the Artistic Director of the Moscow Cathedral Chamber Nikolai Khondzinsky.  The Overture Finlandia by Jean Sibelius and the Tragic Overture by Johannes Brahms are  performed under his baton.

Performers 

Sergei Pospelov
Winner of five international competitions
Laureate of the New Russia Orchestra Award established by the Yuri Bashmet Foundation
Russian Performing Arts Foundation scholar
Rostropovich Foundation scholar
Artistic director and conductor of the Moscow Chamber Orchestra
Conductor and soloist of the Dubna Symphony Orchestra 

Conductor - Nikolai Khondzinsky 
Laureate of the Boris Tchaikovsky International Award 
Laureate of International Bach Festivals
Laureate of the Moscow Government Award
Artistic Director and Principal Conductor of the Pskov Philharmonic Symphony Orchestra 

Nikolai Khondzinsky collaborates with the most famous Russian orchestras including the Mariinsky Theatre Orchestra, the St.Petersburg Philharmoniс Orchestra and others. 

Dubna Symphony Orchestra

The Orchestra is included in the register of Russia Symphony Orchestras, is a member of the International Union of Musical Workers, Russia Symphony and Chamber Orchestras Association, the Moscow Musical Society and an information partner of the Russian newspaper Musical Review. The Orchestra was three times awarded the Moscow Region Governor Prize. 

Programme

Johannes Brahms (1833-1897)
Tragic Overture (1880) op.81

Samuel Barber (1910–1981)
Concerto for Violin and Orchestra, Op.14
1. Allegro
2. Andante
3. Presto in moto perpetuo

Sergei Prokofiev (1891-1953)
Violin Concerto No. 1 in D-dur, op. 19
I. Andantino
II. Scherzo. Vivacissimo
III. Moderato. Allegro moderato 

Jean Sibelius (1865–1957)
Violin Concerto in D Minor (1905), Op.47
1. Allegro moderato
2. Adagio di molto
3. Allegro ma non tanto

Jean Sibelius
Finlandia Symphonic poem (1899) op 26, No. 7

Violin Concertos of the 20th century. Sibelius. Prokofiev. Barber

St Matthew Passion by Metropolitan Hilarion of Volokolamsk.

The monumental oratorio St Matthew Passion by Metropolitan Hilarion (Alfeev) was premiered in 2007. The work was performed more than 100 times in the cities of Russia and abroad - from the USA to Australia. The oratorio was played by outstanding musicians of our time, the best orchestras, choirs and soloists of the world opera scene. The story of the last days of the earthly life of Jesus Christ, His death and resurrection, set forth in the Gospel of Matthew. 

Performers

Moscow Synodal Choir
Voce Anima Symphony Orchestra
Youth Synodal Choir
Conductor - Mikhail Kotelnikov 

Soloists

Anna Polovinkina
Evgeniya Kuznetsova
Daniil Semyonov
Ilya Hardikov

The Gospel is read by the Merited Artist of Russia Alexei Puzakov

Rachmaninov Hall of the Moscow Conservatory
September 15, 2019

St Matthew Passion. Oratorio

The program within the framework of the D7 (Dmitry and Friends) project is a performance by Dmitry Onishchenko (piano) and Joseph Puritz (button accordion) of the late, penultimate work of Johann Sebastian Bach - the cycle "Das Musikalische Opfer" BWV1079.The history of the creation of this monumental work began on the day Bach met with the Prussian King Frederick II on May 7, 1747. Bach's son, Carl Philipp Emmanuel, worked as a harpsichordist in the king's chapel from 1740, and through him Friedrich conveyed the invitation to Johann Sebastian. 

As soon as Bach arrived, the king immediately called him to the Potsdam Palace, canceling the concert (he played the flute). During the meeting, Bach was shown a novelty, Silberman's piano forte, an early kind of piano.The king had several such musical  instruments. Bach, Moving from room to room, Bach improvised on them, and then, wanting to surprise the king, asked him to give him a theme in order to immediately compose a fugue on it. Frederick gave him the following theme (later called the royal, or Thema Regium (lat.). Two months later, Bach published a polyphonic cycle on the "Royal Theme", which is now known as the "Musical Offering". 

Bach titled the cycle as follows: “Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta”. It is an acrostic, the first letters of which form the word ricercar (an old name for a fugue). The appearance of the project for the performance of Musikalisches Opfer by an ensemble of button accordion and piano is due to philosophical, ethical and aesthetic considerations. Firstly, it is, speaking schematically, the unity of the heavenly and earthly principles. 

If we interpret the button accordion as an instrument related to the organ, and consider the piano as the legal successor of the baroque clavier, then we have as a result the intersection of the spiritual and the secular, horizontal and vertical, that is, the cross, and with it the phenomenon of man as such, due to the fact that "man created in the form of a cross before Matthew and before the crucifixion" - as said by a modern poet already in the current 21st century. 

Thus, it would be very organic to consider the performed work as a huge circle of human life that begins even there, in other dimensions, is assembled from particles free and devoid of gravity, after which it materializes step by step and acquires the features of an ordinary earthly person. In essence, this is the path of each of us. And the task that this work poses to the listener (and actually the performer) is to return to the “boiling point”, look at your path again, remember how it was seen from there, from the world of chaos and unconscious freedom, what was its meaning and purpose. 

The work of J.S. Bach performed by Iosif Purits and Dmitry Onishchenko, leads us through several monumental polyphonic numbers - fugues and ricercars, small canons in terms of musical information, having no beginning and end, appearing from nowhere and undergoing dissolution and disappearance, and also through the trio-sonata - earthly, passionate, purely human in its ethical root, it is sonata-culmination, sonata - the focus of the life and destiny that we are living now. 

After that, the canon comes again - and takes us far away, to those worlds from where it all began, but at a new semantic level. Dmitry Onishchenko and Iosif Purits are world-famous musicians, laureates of numerous international competitions, giving concerts both in Russia and abroad. Their performance of Musikalisches Opfer is a new reading and understanding of the work and a new word in the ensemble performing art of Russia.

J. S. Bach "Musical Offering"

In early June 2022 "Sirius" federal territory launched the first youth music festival. Its goal is to unite young artists and present traditional trends and new tendencies in art. 

Participants
Russian National Youth Symphony Orchestra
Popov Grand Children's Choir (artistic director - Georgy Zhuravlyov)
Soloist - Anna Buturlina (vocal)
Conductor - Timur Zangiev

Programme
I. Dunayevsky. Overture from the music to the film "The Children of Captain Grant" 
Y. Chichkov. "Childhood". Lyrics by M. Platskovsky
V. Shainsky. "Antoshka". Lurics by Y. Entin
К. Pevzner. "The Orange Song." Lyrics by A. Arkanov and G. Gorin
I. Dunayevsky. "Fly, Pigeons". Lyrics by M. Matusovsky
I. Dunayevsky. "A Song about a Brave Captain". Lyrics by V. Lebedev-Kumach
М. Minkov. "The Road of Kindness". Lyrics by. Y. Entin 
Е. Krylatov. "Beautiful Far Away Future." Lyrics by Y. Entin
I. Dunayevsky. March from the film "Circus".
М. Dunayevsky. "Thirty-three Cows." Lyrics by N. Oleva
V. Chernyshev. "Song about a Dream." Lyrics by L. Dymova
М. Dunayevsky. "The Wind of Change." Lyrics by N. Oleva
Е. Krylatov. "Winged Swings". Lyrics by Y. Entin
V. Shainsky. "It is Fun to Walk Together". Lyrics by M. Matusovsky
V. Pimicheva "Dreamers".

First Sirius Youth Music Festival

VIVARTE

International Chamber Music Festival in the Tretyakov Gallery

The concert program is composed of works by composers with whom Diaghilev collaborated in one way or another in Paris. First place among his constant creative partners and associates belongs to Igor Stravinsky, whose name is associated with revolutionary breakthroughs in musical theatre, the loudest scandals, and the greatest triumphs of the Russian Seasons. For Diaghilev's enterprise, Stravinsky in particular wrote the ballet "Pulcinella", based on manuscripts by Italian composers of the 18th century, and later composed the Italian Suite for Violin and Piano from fragments of the ballet. 

The Russian Seasons' playbills repeatedly featured works by Nikolai Rimsky-Korsakov, whether they were entire operas (like "The Golden Cockerel" in 1914) or scenes from them transformed into choreographic productions. Often, stand-alone symphonic scores, such as Rimsky-Korsakov's suite "Schéhérazade" or Richard Strauss's poem "The Merry Pranks of Til Ulenspiegel", which was favored by the choreographer and dancer Wenceslas Nijinsky, were also used as the basis for embodiment in dance. 

Diaghilev also cooperated willingly with French contemporary composers, in particular from the group of the Six, which included Francis Poulenc. His ballet "Lani" was successfully staged by Diaghilev in 1924. Sergei Prokofiev wrote three unique ballets for Diaghilev - "The Tale of the Jester", "The Prodigal Son" and "The Steel Step" (an action about the proletariat, staged in constructivist settings). Among the innovative composers who did not write for the theatre, Diaghilev also held Scriabin in high esteem and promoted the performance of his symphonic music in Paris. 

Performers:

Yana Ivanilova (soprano)
Peter Laul (piano)
Elena Revich (violin)
Anna Koshkina (cello)
Pavel Stepin (double bass)
Yekaterina Mochalova (domra)
Malika Mukhitdinova (flute)
Olga Tomilova (oboe)
Igor Fedorov (clarinet)
Mikhail Shilenkov (bassoon)
Alexei Serov (French horn) 

Concert program: 

Part I 
Efrem Zimbalist (1889-1985)
Fantasia on the Themes from Rimsky-Korsakov's opera "The Golden Cockerel" (1945). Arrangement for domra and piano

Performed by
Ekaterina Mochalova (domra)
Peter Laul (piano) 

Richard Strauss (1864-1949) - Franz Hasenörl (1885-1970)
"Till Eulenspiegel einmal anders" for violin, clarinet, French horn, bassoon, and double bass (1954)

Performed by
Elena Revich (violin)
Igor Fedorov (clarinet)
Alexei Serov (French horn)
Mikhail Shilenkov (bassoon)
Pavel Stepin (double bass)

Nikolai Rimsky-Korsakov (1844-1908)
Romances for voice and piano
"On the Hills of Georgia." Poem by Alexander Pushkin
"Of What I Dream in the Quiet Night". Poem by A. N. Maykov
"The wave crushes, splashes and sprays". Poem by A. K. Tolstoy
"Not the wind, blowing from the heights...". Poem by A. K. Tolstoy
"The flying ridge of clouds is becoming thinner". Poem by Alexander Pushkin
"It was in early spring..." Poem by A. K. Tolstoy
"The lark's song is ringing louder". Poem by A. K. Tolstoy

Performed by
Yana Ivanilova (soprano)
Peter Laul (piano)

Igor Stravinsky (1882-1971)
"Italian Suite" for Violin and Piano (1934)

Performed by
Elena Revich (violin)
Peter Laul (piano) 

Part II

Sergei Prokofiev (1891-1953) - Oleg Tantsov (b. 1957)
Three pieces from the ballet "The Steel Step" for flute, clarinet, piano, violin and cello

Performed by
Malika Mukhitdinova (flute)
Igor Fedorov (clarinet)
Peter Laul (piano)
Elena Revich (violin)
Anna Koshkina (cello)

Alexander Scriabin (1872-1915)
Piano Sonata No 5 in F Sharp Major, Op. 53 (1907)

Performed by
Peter Laul (piano)

Francis Poulenc (1899-1963)
Sextet for Piano and Winds (1932/1939) 

Performed by
Peter Laul (piano)
Malika Mukhitdinova (flute)
Olga Tomilova (oboe)
Alexei Serov (French horn)
Mikhail Shilenkov (bassoon)
Igor Fedorov (clarinet)

VIVARTE Chamber Music Festival 28.05.22

VIVARTE

International Chamber Music Festival in the Tretyakov Gallery 

The final program of the festival was opened with a Sonata by Antonio Vivaldi, an Italian composer from Venice whose creative genius blossomed in that city. He wrote operas for Venice's theatres and composed many famous instrumental concertos, sonatas and vocal works for the Pio Ospedale della Pietà Conservatory, where he was the musical mentor of young people for over 30 years. In the festival program, Vivaldi's music became a musical symbol of Venice, a city that was a sacred place for Diaghilev, where he spent many years on holiday and found his final resting place. The great impresario's tombstone bears the words: "Venice is the constant inspiration of our appeasements. 

The program was continued with three compositions for solo guitar by contemporary composers, all of whom collaborated with the Diaghilev troupe. For example, the Spaniard Manuel de Falla wrote the ballet "The Three-Cornered Hat" with a pronounced national character and made several arrangements of Andalusian dances for another choreographic production. The French composers Georges Auric and Darius Milhaud also worked at Diaghilev's request in 1924-1926: the first wrote three ballets, and the second - a performance "Le Train Bleu", the genre of which he defined as a dance operetta.

Prokofiev created an unusual ballet score for choreographer Boris Romanov, who had participated in the productions of Diaghilev's entreprise in the early years of its existence. Romanov was also to have staged Prokofiev's ballet "Ala and Lolly", but the project was not realized, and the choreographer and composer successfully continued their collaboration ten years later, when the ballet "Trapeze" was created and staged in Paris. 

The closing chord of the festival was the famous etude for 23 solo strings "Metamorphoses"  by Richard Strauss, a German composer with whom Diaghilev collaborated in the 1910s. "Metamorphoses" is his last symphonic opus, composed in 1945. It is a very personal response to the military and political events of the time, and in its content the work resembles both a mournful ode (to all German culture, on the one hand, and the era of Romanticism, on the other) and an elegiac poem. 

Performers
Marina Katarzhnova (violin)
Pavel Romanenko (viola)
Boris Andrianov (cello)
Pavel Stepin (double bass)
Dmitry Illarionov (guitar)
Olga Tomilova (oboe)
Igor Fedorov (clarinet) 

Part I

Antonio Vivaldi (1678-1741).
Sonata in A minor for cello and basso continuo, RV 44 (between 1720-1730)
Arranged for Cello and Guitar by Dmitry Illarionov and Boris Andrianov

Performed by
Boris Andrianov cello
Dmitry Illarionov guitar 

Manuel de Falla (1876-1946)
"In Memory of Claude Debussy" (Homenaje - Le Tombeau de Claude Debussy) for solo guitar (1920)
Georges Auric (1899-1983)
"Hommage a Alonso Mudarra" for solo guitar (1960)
Darius Milhaud (1892-1974)
"Segoviana" for guitar solo, Op. 366 (1957)

Performed by
Dmitry Illarionov guitar 

Sergei Prokofiev (1891-1953)
Quintet ("Trapeze" ballet music) for oboe, clarinet, violin, viola and double bass, Op. 39 (1924)

Performed by
Olga Tomilova oboe
Igor Fedorov clarinet
Marina Katarzhanova violin
Pavel Romanenko viola
Pavel Stepin double bass 

Part II

Richard Strauss (1864-1949)
"Metamorphoses" - etude for 23 solo strings (1945)

Performed by

Violins:
Rodion Petrov
Karen Shakhgaldian
Elena Korzhenevich
Sergey Sukhobrusov
Ayako Tanabe
Oksana Kolyasnikova
Vasilisa Haddad
Yana Shchegoleva
Nikita Budnetsky
Vladimir Soluyanov 

Alts:
Pavel Romanenko
Evgeny Shchegolev
Lyubov Lazareva
Ilya Hoffman
Anna Chugaeva

Cello:
Boris Andrianov
Peter Kondrashin
Sergey Suvorov
Galina Malyan
Maria Zaitseva

Double bass:
Vitaly Veselovsky
Nikita Kecher
German Danilov

Concerts